Good morning. I expect to have the computer problem fixed tomorrow Today selections from A E. Thierens’ “The General Book of the Tarot”  will accompany today’s reading. The deck is the *Bohemian Gothic Tarot* by Alexander Ukolov and Karen Mahoney. Be Well, Be Blessed!
“A stately figure, seated, having rich vestments and royal aspect, as of a daughter of heaven and earth. Her diadem is of twelve stars, gathered in a cluster. The symbol of Venus is on the shield which rests near her. A field of corn is ripening in front of her, and beyond there is a fall of water. The sceptre which she bears is surmounted by the globe of this world. She is the inferior Garden of Eden, the Earthly Paradise, all that is symbolized by the visible house of man. She is not Regina coeli, but she is still refugium peccatorum, the fruitful mother of thousands. There are also certain aspects in which she has been correctly described as desire and the wings thereof, as the woman clothed with the sun, as Gloria Mundi and the veil of the Sanctum Sanctorum; but she is not, I may add, the soul that has attained wings, unless all the symbolism is counted up another and unusual way. She is above all things universal fecundity and the outer sense of the Word. This is obvious, because there is no direct message which has been given to man like that which is borne by woman; but she does not herself carry its interpretation. In another order of ideas, the card of the Empress signifies the door or gate by which an entrance is obtained into this life, as into the Garden of Venus; and then the way which leads out therefrom, into that which is beyond, is the secret known to the High Priestess: it is communicated by her to the elect. Most old attributions of this card are completely wrong on the symbolism--as, for example, its identification with the Word, Divine Nature, the Triad, and so forth.
* * * The veil or mask of life is perpetuated in change, transformation and passage from lower to higher, and this is more fitly represented in the rectified Tarot by one of the apocalyptic visions than by the crude notion of the reaping skeleton. Behind it lies the whole world of ascent in the spirit. The mysterious horseman moves slowly, bearing a black banner emblazoned with the Mystic Rose, which signifies life. Between two pillars on the verge of the horizon there shines the sun of immortality. The horseman carries no visible weapon, but king and child and maiden fall before him, while a prelate with clasped hands awaits his end. There should be no need to point out that the suggestion of death which I have made in connection with the previous card is, of course, to be understood mystically, but this is not the case in the present instance. The natural transit of man to the next stage of his being either is or may be one form of his progress, but the exotic and almost unknown entrance, while still in this life, into the state of mystical death is a change in the form of consciousness and the passage into a state to which ordinary death is neither the path nor gate. The existing occult explanations of the 13th card are, on the whole, better than usual, rebirth, creation, destination,
renewal, and the rest. * * * The Fire on the Eighth and on the Fourth house, personified. The traditional renderings are not bad but far from complete. The eighth house is that of our debts, money of other people and of the dead in particular. So the querent may profit by legacies or inheritance. Consequently the benefic influence on the weak point in our material conditions may be interpreted as: advantage, interest, etc. But the knight is always a personification, too, and this is not given in the traditional interpretation. We must see him as a person who is obliging, carrying out a will, coming to the aid of the querent, secretly or confidentially perhaps, at least not publicly, visiting him in his house, saving him from material and financial troubles. It may be a loan, inheritance or advance, but without any hard conditions connected with it, so it may be a present. On the other hand the houses mentioned give the tendency to retire from the outer world; this accounts for renderings such as 'inactivity, inertia,' etc. . . . We should say, it means the tendency to enjoy the good things of the heart(s) within one's own private or family circle, in repose, in some retreat, secretly. In weak cases there may be some danger of degeneration into idleness or indolence, etc. In connection with the fourth house, ruling family matters and the past, the home and the storehouse (of memory, e.g.) the card must have to do with pleasant memories, recollections, people we have known before; collections and collecting.”